Similarly, we are living in important places, times, when great events are being decided. We face decisions. We face quarrelling. The work reflects upon our times using a vocabulary of abstract forms. For Fletcher, a painting is a declaration of sorts. A painting establishes a set of rules and operations that suggest they have always existed. His paintings draw upon tropes of Modernist abstraction and in particular, a very British lyrical abstraction. They make great play of the gestural mark and its importance as a signifier of the hand-made, the ill-disciplined and the transgressive.
The work presents loosely adumbrated motifs sitting on an invisible horizon line. The motifs are intended to be bold and demonstrative. They draw attention to themselves. They could be read quasi-figuratively; preening politicians at a podium. They might as easily be seen to be cartoon characters entering stage left. They could be sculptures or monuments.
The paintings are an attempt to articulate Fletcher’s concerns about political structures, people and events and the rest of us who, inevitably, pick up the pieces.
Homer's Ghost #2
Acrylic on Paper
120 x 150cm
2019
£1500
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Secondary Modern #4
Acrylic on Paper
56 x 76cm
2019
£750
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Aughaga
Acrylic on Paper
26 x 36cm
2019
£250
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Old Europe
Acrylic on Paper
56 x 76cm
2019
£750
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Untitled (Green)
Acrylic on Paper
56 x 76cm
2019
£750
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Untitled (YellowOrange)
Acrylic on Paper
56 x 76cm
2019
£750
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Untitled (Orange)
Acrylic on Paper
56 x 76cm
2019
£750
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Untitled (Pink)
Acrylic on Paper
56 x 76cm
2019
£750
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Untitled (Yellow)
Acrylic on Paper
56 x 76cm
2019
£750
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