Untitled Profile Pictures is an ongoing drawing project in which Jemima has experimented with the visual translation of a virtual social structure in a series of drawings of Facebook profile pictures. From the lo-res pixilated images of ‘profile pictures’ she has made to date nearly 200 drawings of her own Facebook friends (always choosing an image from their profile pictures in order that the choice of image is their choice for a public image). For her presentation at PAPER, Jemima will show a selection of these drawings selected from PAPER’s and Jemima’s mutual Facebook friends.

Biography

Jemima Brown is based in London and has exhibited widely both nationally and internationally since graduating from an MA at Chelsea School of Art in 1995. She was selected for New Contemporaries 1997, and her work has been included in exhibitions at the Royal Academy and the Pompidou Centre in Paris. She has also had solo exhibitions with Vilma Gold, Rosie Wilde, and the Agency in London. Past awards have included a Fulbright Scholarship at UCLA, Los Angeles, and the Cocheme Fellowship at Byam Shaw, University of the Arts. In 2011 she received the Mark Tanner Sculpture Award, at Standpoint in London.

Carole Cluer’s work explores whether it is possible to create memories through the act of drawing. Carefully drawn from her imagination, various ephemera give weight to the unreal through trompe l’oeil style effects. Carole constructs an alternative future or past within various objects such as a hat, a coat or a wallet, each meticulously recreated by hand in pencil.

Biography

Carole Cluer completed her Masters at Sheffield Hallam University in 2014. She was included in Everyday Illusions at PAPER.

Simon Leahy-Clark's practice stems from an investigation into the potential of everyday ephemeral materials and possibilities within drawing, painting and image making. His current work is focused on newspapers, exploring the inherent qualities of this everyday material/object and exploiting the form and information within, while also bringing to the fore the tactile nature of the paper itself. The collage works use remnants from previous work – cut out pictures are re-assembled anew, becoming a collection of imagery as well as a single image. The ‘master’ images depict abandoned spaces or objects, or are otherwise inbetween or transitory areas. The work fluctuates between its constituent parts and the overall picture. The experience of looking remains in constant flux.

Biography

Simon Leahy-Clark (b. 1973, Cardiff) studied Fine Art at Middlesex University (1996-1999). Selected exhibitions include ArtWorks Open, Barbican Art Trust (2014, 2013, 2011, 2010); The Distance Between, Bond House Gallery, London; NeoArt Prize, Bolton (2013); Photo/Print Open, Charlie Dutton Gallery (2013); Creekside Open (2013, 2007); Collectible, ZAP, London (2012); Jerwood Drawing Prize (2011, 2008); RA Summer Exhibition (2014, 2011); Crash, Charlie Dutton Gallery (2010); Core Open, London (2010); So What's Different Today, Globe Gallery, Newcastle (2010); The National Open Art Competition, Chichester (2009); 40 Artist 40 Drawing, The Drawing Gallery, Shropshire (2009); Re:Drawing, Oriel Davies Gallery, Newtown (2008); 13th Yoshihara Memorial Exhibition, Osaka Contemporary Arts Centre, winner Gutai Group Prize (2005), Aftershock, 1a Space, Hong Kong (2004); Faith, Transition Gallery, London (2004); Oriel Mostyn 12, Llandudno (2002). Solo exhibitions include Library, Westminster Reference Library (2012); From the Lagado Academy, CAS Gallery, Osaka, (2005), supported by the British Council. He lives and works in London.

Painting directly onto found objects such as beer mats and cigarette packets, Conor Rogers’ photo-realistic depictions of everyday life emerge from an ‘argument’ between the illusionism of the image and the substrate of the paintings. However, Conor relates the place the object was found to the scene depicted, creating an entwined narrative between object and image

Biography

Conor Rogers graduated from Sheffield Hallam in 2014. He was selected for the John Moore Painting Prize 2014.

Richard Shields’ practice investigates varied contemporary issues through the use of the site specific, found objects and traditional skills. His pieces contain a duality between what is often seen as valuable permanence found in the process of drawing and mark making and the disposability of everyday encounters. Whilst producing contemporary works Shields looks to history both as an indicator and to contextualize events that occur in his own life and to the wider public. His past curatorial explorations in the site specific have seen him apply a range of media from oil paint to swimming pools, projectors and paper coffee cups. His topics of interest lie in financial posturing, religion and the autopsy of artistic process through an allegory with a sense of humour.

Biography

Richard Shields graduated from Manchester Metropolitan university in 2006 with a BA Hons in Sculpture. Shields is currently based in Manchester where he runs a small studio called ‘The Other Side of The Door Is Red’ in the Hotspur Press. He is co-founder and Director of 'Contents May Vary', formed in 2004, and has exhibited nationally and internationally both as part of the collective and on solo projects.

Ally Wallace works across a range of disciplines including installation, drawing, painting, sculpture, video and animation, to create artworks in response to chosen locations. His works are mainly exhibited in the spaces to which they relate, often in non-gallery venues. Ally's approach is to initiate his own residency projects in situations that provide the subject matter for his work. Recent projects have taken place in a diversity of locations such as an architect's open-plan office, a disused Victorian public swimming pool, a 1960’s Modernist church and a 1930’s International Style seaside pavilion. He is interested in the relationship between buildings and their usage.

Biography

Ally Wallace is an artist based in Glasgow. Throughout his career, Ally has received major awards and has exhibited his work nationally as well as internationally. He graduated with a BA (hons) in painting from University of Sunderland, in 1985, and an MA in Site-Specific Sculpture (with Distinction) from Wimbledon College of Art, in 1998.

Dawn Woolley’s artistic practice encompasses photography, video, installation and performance. She uses photographs of objects and people to question issues of artificiality and idealisation. Her artwork forms an enquiry into the act of looking and being looked at. Referring to psychoanalysis, phenomenology and feminism, Woolley examines her own experience of becoming an object of sight and also considers the experience the viewer has when looking at her as a female, and a photographic object. Voyeurism and exhibitionism intertwine as she attempts to disrupt relationships of power in purposefully provocative scenes.

Biography

Dawn Woolley completed an MA in Photography at the Royal College of Art in 2008. She has developed a photography-based practice that encompasses digital video, installation and performance as well as photo-based installations. Dawn Woolley currently lives and works in Cardiff, UK and is a photography lecturer at Bridgend College. She is co-director of the curatorial project Another Product, which she founded with James Moore in 2003. Recent exhibitions have included; “Virtually Real” at The Blyth Gallery, London (2010), “Start Your Collection” at The London Art Fair (2009), “Fotomonth” in Krakow, Poland (2007) and solo exhibitions in Ffotogallery, Cardiff (2011) and Vilniaus Fotografijos Galerija, Lithuania (2012). Her artwork is held in a number of private collections in the UK, The Center for Fine Art Photography in Colorado and in the Museum of Photographic Arts in Kiyosato, Japan.